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Tako\u0111er je koristio pseudonim Richard Wahnfried. Kratko je bio \u010dlan elektronskog benda Tangerine Dream, kao i suosniva\u010d Ash Ra Tempela prije pionirske i plodne solo karijere od 40+ albuma (ukupno 110+ CD-a) u 30+ godina.\n\nGodine 1969., Klaus Schulze bio je bubnjar jedne od ranih inkarnacija Tangerine Dream za njihov debitantski album Electronic Meditation. 1970. napustio je ovu grupu kako bi osnovao Ash Ra Tempel s Manuelom G\u00f6ttschingom. Godine 1971. ponovno je odabrao napustiti novoosnovanu grupu nakon samo jednog albuma, ovaj put kako bi montirao solo karijeru.\n\nGodine 1972., Schulze je objavio svoj debitantski album Irrlicht s orguljama i snimku orkestra filtriranog gotovo do neprepoznatljivosti. Unato\u010d nedostatku sintesajzera, ovo proto-ambijentalno djelo smatra se prekretnicom u elektroni\u010dkoj glazbi. Nastavak, Cyborg, bio je sli\u010dan, ali je dodao sintesajzer EMS Synthi A. Neki od vrhunaca njegove rane karijere su Moondawn (1976), Mirage (1977) i Dune (1979). \u010cesto je uzimao aspekte njema\u010dke kulture i povijesti kao polazi\u0161te u svojim skladbama, osobito na svom albumu \"X\" (naslov koji ozna\u010dava da je to njegov deseti album) 1978. Njegovo kori\u0161tenje pseudonima Richard Wahnfried ukazuje na njegov interes za Richarda Wagnera, koji tako\u0111er informira druge albume o njegovoj glazbi, posebno Timewind.\n\nTijekom 1970-ih radio je uglavnom u improviziranom glazbenom stilu sli\u010dnom spomenutom Tangerine Dreamu, dodu\u0161e s lak\u0161im sekvencerskim linijama i introspektivnijim, kozmi\u010dkim rubom do komada koji su se tako\u0111er postupno razvijali i bili duljeg trajanja, ponekad i vi\u0161e od 30 minuta.\n\nKlaus Schulze je imao eklekti\u010dni zvuk od ostalih elektronskih umjetnika tog vremena. \u010cesto bi koristio ne-elektronske zvukove kao \u0161to su akusti\u010dna gitara i mu\u0161ki operni glas u Blackdanceu , ili violon\u010delo u Dini i Tranceferu . Schulze je razvio Minimoog tehniku koja zvu\u010di neosporno poput elektri\u010dne gitare, \u0161to je prili\u010dno impresivno u koncertu.\n\nU 1980-ima Schulze je pre\u0161ao iz analognih u digitalne instrumente, a njegov rad u skladu s tim postao je manje eksperimentalan i dostupniji. Vrhunac ovog doba bio je En=Trance sa sanjive posjekotine 'FM Delight'. Album Miditerranean Pads ozna\u010dio je po\u010detak vrlo slo\u017eenih udaraljka\u0161kih aran\u017emana koji su se nastavili i u sljede\u0107a dva desetlje\u0107a.\n\nPo\u010dev\u0161i od Beyond Recalla, prva polovica devedesetih bila je razdoblje kada je Schulze koristio veliku zvu\u010dnu palietu uzoraka \u2013 poput ptica \u0161kripanja ili senzualnih \u017eenskih stenjanja \u2013 i u svojim studijskim albumima i u nastupima u\u017eivo. Desetlje\u0107e je tako\u0111er vidjelo osloba\u0111anje obilnih koli\u010dina prethodno neobjavljenog materijala, razli\u010dite kvalitete, u nekoliko limitiranih boxed setova. Neke snimke u\u017eivo otkrivene su na netaknutim, ali zaboravljenim rolama vrpce koje su kori\u0161tene za pru\u017eanje \"jeke\" na koncertima.\n\nSchulze je po\u010deo uklju\u010divati elemente jazza i klasi\u010dne glazbe, sviraju\u0107i suvremeniju, tehno/plesnu glazbu, kao i stvaraju\u0107i operu. Od po\u010detka tisu\u0107lje\u0107a po\u010deo je postupno ponovno izlaziti svoje klasi\u010dne solo albume, od kojih svaki sadr\u017ei bonus pjesme neobjavljenog materijala, koje datiraju iz istog razdoblja kao i svaki od originalnih albuma,+./ + A disclaimer under section 107 of the Copyright Act 1976 is permitted for fair use for purposes such as criticism, commentary, news reporting, scholarships, and research. Fair use is use permitted by copyright law that might otherwise violate the rules. Non-profit, educational or personal use advises balance in favor of fair use.ladislav \u017eivanovi\u0107 .. !!! / + For This Video And Any I Do Not Own Copyright, OR I AM NOT ASKING FOR MONEY If the Team and the Administration Consider THAT I am a Translator of Attorneys..RIGHTS .... Each Video serves Music Culture and Historical ... Events ... I History of Music./ + A disclaimer under section 107 of the Copyright Act 1976 is permitted for fair use for purposes such as criticism, commentary, news reporting, scholarships, and research. Fair use is use permitted by copyright law that might otherwise violate the rules. Non-profit, educational or personal use advises balance in favor of fair use.ladislav \u017eivanovi\u0107 .. !!! / + For This Video And Any I Do Not Own Copyright, OR I AM NOT ASKING FOR MONEY If the Team and the Administration Consider THAT I am a Translator of Attorneys..RIGHTS .... Each Video serves Music Culture and Historical ... Events ... 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